Straight up. It has been a tough summer. Three weeks ago, while I was on my annual beach vacation, my aunt, Tia Isa, collapsed. Her legs had been weakening for a while, and now , at last, they stopped working just as she was being helped from the bathroom to her wheelchair. By the time I returned, she was also struggling with a deep cough I didn’t like. It rattled in her chest and made her wheeze. So, before I had unpacked a single thing, we drove to the hospital where we spent the next six days trying to stabilize her.
I’m heading over to Pine Camp on July 2 for the opening reception of “Two Seas Merging,” which features the work of Cuban artist Salvador González Escalona. The reception is 6:30 to 8:30 p.m, and the show runs until the end of the month. From the press release: “A self-taught mixed medium master artist, González Escalona, with the help of campers enrolled in the Great Summer Escape camp at Pine Camp, just completed painting a mural titled Two Seas Merging, which symbolizes the cultural diversity of the Afro-Cuban connection.” If your Spanish is strong, here he is in Cuba discussing his mural work in Callejón de Hamel , where he used African religious imagery on a community mural project – remarkable since it was initiated during a particularly repressive time. [youtube https://www.youtube.com/watch?v=fx4qRpAZ2Mk&w=560&h=315] Spotlight Gallery hours are from 10 a.m. to 7 p.m., Monday through Friday and 10 a.m. to 2 p.m. on Saturdays. This exhibit is free and open to the public. For more information or to schedule a tour please call Shaunn Casselle at 646-6722. For more information about these projects, please call 646-3677.”
This weekend I traveled from one corner of Virginia to the other – from the rural mountains of Farmville all the way to Arlington/Washington DC area. I can’t think of a better way to have celebrated the spirit of Martin Luther King Day. My first stop on Saturday was in Farmville. I was invited by the folks behind the Virginia Children’s Book Festival to tour the Moton Museum and other sites for the upcoming VCBF (Oct 16 – 17, 2015). The Museum, as part of its commitment to children in the Farmville area, is a founding partner in the festival. The Moton is also an absolute gem. It’s the former Moton High School – and the historic site of a student walkout led by 16-year-old Barbara Johns and fellow students who demanded better conditions. Their case eventually got picked up by civil rights attorney Oliver Hill and became part of the five cases that made up Brown v. Board of Education. Justin Reid, the museum’s associate director for operations, led us through the exhibits, which are a visual chronology of Virginia’s role in the early civil rights movement. Many of the families who were part of movement – as well as those who wished to keep schools segregated – still live in Farmville. Prince Edward County participated in Massive Resistance, of course, shuttering schools rather than integrating, so there is an especially poignant personal element to all the photos and artifacts. But there’s also a spirit of forward movement and strength. Places like the Moton…
It’s not every day your publisher sings their holiday greetings. But here you go – another small example of why I love Candlewick. (The bloopers especially give you a sense of their personality.) Enjoy! And if you are on Pinterest and want a list of the books they used, go here. Remember to tuck in a book or two as holiday gifts for the little ones! [youtube https://www.youtube.com/watch?v=GY6MccBoIwg&w=560&h=315]
I’m passing this on because I love an underdog story – especially one that shows off Latino kids with super-sized brains and grit. The documentary Underwater Dreams will be airing on MSNBC and Telemundo this Sunday, July 20, 2014 1 PM, EST. Here’s the blurb: “Underwater Dreams, written and directed by Mary Mazzio, and narrated by Michael Peña, is an epic story of how the sons of undocumented Mexican immigrants learned how to build an underwater robot from Home Depot parts. And defeat engineering powerhouse MIT in the process.” Get the rest of the scoop here: [vimeo 97377301 w=500 h=281] I might not have heard about this if I hadn’t joined REFORMA as a community supporter this year. It’s a librarian association dedicated to providing services for Latino families, but you can join as a supporter or a corporate sponsor. You can flat-out just donate, too. Anyway, I’m so glad this crossed my screen. Thanks, Reformistas for being such a great clearinghouse of information!
I was overpowered by New Year Mania and spent last week having my oldest daughter’s room painted, which somehow led to an entire overhaul of my living room/writing lair. In the process of digging out my old desk, I came across a few things that made the whole back-breaking process worthwhile. The first was my mother’s plane ticket from Cuba, dated May 19, 1960 and her subsequent application for citizenship to the US. I had stored them after discovering them in a box last fall when I was closing her condo in Florida. The documents made me wonder what she was thinking all those years ago on the verge of losing her country, and though it wasn’t known to her yet, on the verge of losing her husband, too. I’ve decided to have the pieces framed and put over my desk. My family’s story in this country began with what felt like a disaster to her, and my story as a writer and as a woman begins with her long journey to survive. The second treasure has to do with dreams – and grit. Several years ago, when I wanted desperately to be a full-time writer but lacked the courage to do it, I found an exercise in one of those awful self-help books. I was asked to write a paragraph that described what I wanted my future “author’s life” to look like. I remember feeling embarrassed to jot down such dreams. I braced myself for the fact that I…
This one is for teens who have a camera and wouldn’t mind winning $1,000 and a trip to New York. I got a note from the National Coalition Against Censorship about their annual Youth Free Expression Film Contest. If you’re 19 years old or younger, you have until December 13 to enter a short film about censorship on video games. This year’s theme: “Video Games in the Crosshairs.” Here’s the pdf of info: NCAC Film Contest 2013 The winners get a cash prize ($1000, $500, $250), a scholarship to take classes at the New York Film Academy and an all-expenses paid trip to New York City for the awards ceremony. All they ask is that you bother to make something with more pizzazz than just a headshot of you talking into your phone. Spread the word and good luck!
Three days ago, I stood in the aisle of my neighborhood Kroger buying baby food for my mother. It was a sobering moment to say the least. Her nausea had worsened, and in desperation, I turned to what I assumed was the easiest food to digest. The good news: Goya now makes its own line of infant food. I scooped up as many jars of Apples With Guava as I could hold and headed to the register. The bad news: We are running out of time. We’ve been working with the wonderful souls at Heartland Hospice for a couple of months now, so all of us are learning to make room for Death at our elbow. It’s a long exercise in acceptance and forgiveness, as it turns out. That, and endurance. But of all the difficult things, one of the worst is this: When I look at my mother and my tía Isa, who is ailing, too, I can’t imagine the silence of my world without them. All those stories that have shaped me, annoyed me, hurt me, defined me, made me wonder, turned me into a writer…they will stop, and it will be up to me to remember and share. Which is why, perhaps, my aunt – tía Isa – called me to her bed a week or so ago. She has always been one to surprise me. For example, she bought our first family car – a shocking event immortalized in Tía Isa Wants a Car. And, if…
Big milestone: At the end of the month, I will have been married to my husband, Javier, for 30 years. To celebrate, we planned what we both consider a once-in-a-lifetime family trip to Croatia, Italy, and Greece. My eyes and my heart and still full of the beautiful sites I took in, particularly Santorini, with its wide marble streets, the domed churches, and Bougainvillea vines along the windows. And, of course, I’m still full in other ways, too — mostly from my nearly constant visits to the pasticcerias and gelato stands. (I had NO IDEA that food could be this good.) Here are three fun literary tidbits that happened along the way. When my kids were in elementary school, we read aloud The Thief Lord by Cornelia Funke. (She is one of my favorite children’s authors. Check out her website; it’s amazing.) Every night, we’d let our imaginations take us to Venice where a band of masked orphans lived hidden in boarded-up opera houses along the Grand Canal. “I want to go to Venice one day,” my son told me. I never forgot that moment when a book connected him to the larger world than he knew. So, here is a photo from Venice that I took last week. It’s a perfect reminder of a place where I think those orphans might have lived. Surprise number two came when I rounded one of those serpentine streets in Venice to find a lovely bookstore. Look who’s in the window! RJ Palacio’s WONDER!…
It’s the start of a new year, so it’s time for a writing exercise plan to shake off the winter flab. I’m pushing out of my comfort zone by experimenting with new forms and voice. I’ve been reading a lot of early readers, for example, studying their length and style. (If you’re on GoodReads, you can catch up with what I’m reading.) My favorite so far has been Anna Hibiscus by Atinuke, a little gem of a series that has all the seeds of a great literary piece for kids who are seven and eight. Nice trick, right? It won’t be long before I start trying my hand there. I’m also venturing into adult writing for a few precious weeks – which feels like sacrilege for someone who adores writing for kids as much as I do. But it’s true. Starting this Monday night, I’ll be joining my friend Valley Haggard as a student in her Creative Non Fiction class at the Black Swan bookstore. This is a stretch for me. For starters, I have a really erratic memory. I can remember the exact pattern of the sofa in my mother’s living room when I was eight, but I can’t remember a name I’ve just learned. My husband claims that I’ve forgotten entire chapters of my life, like the Genesis in concert at Madison Square Garden, which I flatly deny attending, despite his very damning details about people, clothing, where we sat. But the bigger problem is about courage. Unlike Valley…
I couldn’t resist sharing Ana Juan’s work. She has several very successful works all over the globe, but in case you don’t know this wonderful Spanish illustrator, here’s the link to her site. Also, I wanted to mention that this spring, Cristina Dominguez Ramirez of the Richmond Public Libraries and I will be collaborating to bring a children’s book illustration exhibit to Richmond in celebration of El Dia De Los Libros (the Day of Books)/ El Dia de los Niños in late April. Stay tuned for details of some of the incredible artists and activities we’re cooking up for you — and for how you can help.
So, I got home from the Nat’l Book Festival on Saturday. I had dusty toes and a tired back, but my head was swirling with gratitude for the way of the world. True, the lines inside the Barnes & Noble tent were obnoxiously long, but it was a great event in every other way. My friend Katharine and I set out by train – a pleasant two-hour ride – and spent our day strolling the grounds, eating Snicker bars in the sunshine, and generally marveling at the mass of people who came from all over the country to celebrate the best our country has to offer in terms of books and authors. I got to meet illustrator Rafael López and his lovely wife, Candice, who chatted with us about their mural projects, their new Obama poster, and our shared friends, whose talents we both admire. But in the afternoon, I received a gift I never expected from this festival. I’d managed to snag a chair inside the tent where Sandra Cisneros was speaking. I read The House on Mango Street in the 1980s, of course, and I’ve been a fan ever since, devouring her short stories, picture books and novels as soon as they’re published. Her voice always rings fierce and true, and like so many other Latina authors, I can point to her work as an influence on why I like to capture Latino culture in fiction. She is, in my view, a literary madrina to our whole country….
Okay, these are my friend Tanya’s feet. We were meeting yesterday at Pine Camp to discuss the Hope Tree Project at City Hall in September. Her shoes reminded me of Keith Haring and any number of other contemporary artists. She was wearing molas, i.e. shoes embroidered in the traditional Kuna nation style of Colombia. No two patterns are ever the same. “They’re not cheap,” she confessed. “But I have a piece of art on my feet.” I know. I want them, too. Here’s where.
This came across my desk this morning, and I wanted to pass it along.You know that I’m big on strong girls, so this seems like a painless way for real people to add to the body of information we have about how we encourage Latina girls to have healthy relationships. If you have a couple of hours to spare and you care about girls and Latino families, contact Carla (info at bottom). She’s the study coordinator and graduate student at Virginia Commonwealth University who can answer your questions. Interviews can be conducted in English or Spanish. In addition, interviews can take place in the Richmond or DC metropolitan area. Flyers in English and Spanish here. Study Title: Talking with Adolescents About Healthy Behaviors We are looking for Latina teenagers (14-17 years old) and their mothers to participate in individual interviews about healthy relationships and behaviors. Who can participate in the study? – Latina adolescents who are 14-17 years old – Mothers of Latina adolescents who are 14-17 years old What will I receive if I am in the study? – If you participate in the interview, moms and daughterw will each receive a $20 gift cerfificate to Walmart What do you need to do? – Mothers will need to agree to participate in an interview – Latina adolescents will need to agree to particpate and they will need to get their parent’s permission to be interviewed – Particpate in an interview that will take about two hours – Share what you…
I got back from a much-needed family vacation this week. I should know by now that sunshine and sea breezes make me ridiculously optimistic. Maybe that’s why I decided to face the horror of my bookcases at last. The truth is that I form unnatural attachments to books. I like to think it’s a job hazard and not simply a mania. I still have my Pelican Shakespeare from college – covered in dust bunnies, but still. I keep paperbacks until acid has yellowed their pages and the mold makes me sneeze. I pile books in every room of my house, thinking of them as comforting friends waiting for a chat. How could it be otherwise? My whole journey as a reader and a writer are in those pages. The high brow books and beach reads, the books I once read to my kids in the hopes they’d love stories as much as I do, the books that marked my own childhood (which I later bought for old time’s sake), the books written by dear and talented friends. For years I haven’t had the heart to toss a single one. Each volume celebrates so many wonderful moments for me that it seems an unthinkable crime to let them go. But the world is a mysterious place, my friends, and sometimes it gives us exactly what we need. Just this week, WriterHouse announced that it would begin accepting donations for its annual book sale. The idea of my books helping to raise money for…
It’s no secret that I love my publisher Candlewick Press and its parent company, Walker Books in the UK. I thought I’d show you just one example of why. This was in the mail from Walker. It’s publication day for The Girl Who Could Silence the Wind in the UK (and my birthday, as it happens). This little card made my day even better. What a lovely thing to do for a writer. Thanks for your thoughtfulness, Walker!
Okay, friends. Earthquakes, hurricanes, book deadlines, sending a kid off to college: It has all hit me in the last month. I hope you’ll forgive my silence on this blog. This morning, I’m just going to post a quick Random Howl. I do this kind of post from time to time when faced with inexplicably ludicrous moments that happen in every writer’s life. Recently I was toying with the idea of applying for an Artist Fellowship Award in fiction. (That’s not the ludicrous part, although some could argue otherwise.) Only four fellowships of $5,000 are awarded in my state, so the chances were to be very slim. Virginia, I’m proud to say, has no lack of exceptional writers who live and work here. Still, according to the arts commission’s web site, the fellowship application process is “open to Virginia-based writers of fiction.” Why not try? I reasoned. Turns out, I needn’t have bothered. When I called the commission to check on the grant details, they confirmed what I had already suspected. The award is geared for writers of adult work. Interestingly, I could find nothing in the application itself that would not apply to a children’s book writer, most certainly to anyone who writes YA. This is all especially disappointing as Virginia continues its Minds Wide Open celebration for 2012: Children and the Arts. I love our arts commission. They support lots of programs that would flounder without them, and they have to fight for survival in the General Assembly every year….
I haven’t written in more than a week, but that’s because my life has sped up like a Toyota with a stuck gas pedal. It’s hard to complain, though. My days are crammed with things I love. The Girls of Summer Q & As are coming in. I hope you caught Cathryn Clinton this week — and Jacqueline Woodson before that. (Every Friday, a new author answers our questions, so stay tuned.) I’ve been corresponding with students who are working with author (and professional gummie bear eater) Wendy Shang in northern Virginia, and my own summer residency with the Latino Education Advancement Program wrapped up. Here’s Freddie’s piece so you can see why I love this group. ESL had just finished, and I jostled my way towards the lunch line. Passing by the fifth grade hallways, I was hoping to be as big and smart as they were one day. I got in the cafeteria line and as usual, the cafeteria cashier smiled and said, “Have a good lunch, my little tootsie roll.” I went to the table where my class sat and talked to my friends: Tyler, Patterson, Michael, Michael, and Conner Lugio. As we swapped our lunches, I had to crush my napkin because my mom left me a note saying she loved me. Although it was in Spanish and my friends could not read it, it was still embarrassing. It was halfway through lunch when I saw her: Alexa. She had blonde hair and green eyes, and…
Today I started my annual volunteer work at a place that I will never stop helping. The Latino Education Advancement Program (LEAP) is housed at the Steward School, one of those blindingly beautiful independent schools here in Virigina. The program serves about fifty Latino middle and high school youth from all over the Richmond area. It’s free thanks to the dogged efforts of Program Director Melanie Rodriguez and Head Master Ken Seward, who cobble together deals with a whole range of small and large funders. (I’m grateful to James River Writers for being among them.) The result is four weeks of classes that prepare Latino kids to take more challenging classes in their own high schools, which in turn, opens doors for them when it’s time to pick colleges and beyond. None of that is why I show up every summer. I go because I think that Latino kids need the tools to find and tell our story. For all the ways this country has embraced JLo, Pitbull, Sophia Vergara, and even zumba, you can’t get away from all the negative messages about Latinos in the media, images our youth soak up before they can even name their shame. Scan the newspaper and see what you find. “Illegal aliens” blamed for starting fires in Arizona. Graphic stories of drug wars in Mexico s[illing across our borders. Gang violence in DC. Drop out rates. Job stealing (whatever that means). The list goes on, ignoring, of course, the story of most Latinos in this country,…
Tomorrow is National Library Worker’s Day. How are you celebrating? By happy coincidence, I’ll be speaking at the spring conference of the Richmond Area Reading Council. RARC is a group of Virginia book lovers banded together across sixteen counties to celebrate books and get people reading. Naturally, librarians and teachers will make up most of the mix. Nice! Hands down, there’s no edgier group than librarians. For a relatively new author like me, they’re my lifeline in a sea of splashy commercial titles. When they’re not battling censorship from the foolish, they’re figuring out how to stretch their measly budgets to bring living, breathing authors – big time and small — into the lives of kids. To Lucinda Whitehurst and Shelly Dean. To Janet Craft and Cindy Ford. To Sue Van Tassell and all the rockin’ librarians who love books, writers and readers. To all of you who have so generously helped me get started, gracias. So, how to celebrate? Let’s laugh. Here’s Betty White’s interpretation of the stereotype from The Middle. (If only BW made friends with a librarian, all her techno woes might be over!) http://www.youtube.com/watch?v=B52IydOYrL0
I never thought of myself as a picture book writer, but this June all that changes. TÍA ISA WANTS A CAR (Candlewick Press) will be in bookstores. It’s the story of a girl and her favorite aunt working together to buy the first family car. I wrote the text when I was in between novels and needed to play with words for a while to clear my mind. I’d been thinking about my aunt and our first family car – an old Buick Wildcat. It was a dented heap that never wanted to start, and it stalled at the most inconvenient times – like in the middle of a u-turn with on-coming traffic. Truth is, though, that the car was only half the trouble. My aunt – the real tía Isa – was a lousy driver. She’d arrived in this country in 1968, having completed a year of required labor in Cuba’s sugar cane fields to earn her way off that island. Maybe as the result of all she’d been through during the revolution (or maybe just because she was cursed with “anxious genes” as is common in my clan), tía Isa was a ball of nerves, filled with ticks and odd habits that sometimes frightened me as a kid. Her jumpy lip always reminded me of a bunny’s. In any case, when she came home one day with her driver’s license, the family was shocked but grateful for the milagro. A car – even an old jalopy like the…