Latina writer of books for kids of all ages.

Posts tagged ‘Candlewick Press’

Want a New Mountain Bike? I Happen to Be Giving One Away.

I’ve been keeping this secret for more than a month, and it has been killing me.

My new novel, Merci Surárez Changes Gears appears in bookstores  in September. Normally, that would mean a long, hot wait this summer – unless something really fun and distracting were to happen in between.

Something like a spectacular bike giveaway?

Yesssss.

Luckily, I have good accomplices for this project. With the help of my favorite local indie bbgb books, along with Agee’s Bicycle Shop in Carytown, and my publisher, Candlewick Press, we’re going fill the long wait to publication by running a sweepstakes for kids. The grand prize is a brand new mountain bike – along with a new helmet and water bottle, too.

Take a look at this Trek bike in what is possibly the sharpest looking blue I have ever seen. (Merci would say so, anyway. It’s the same color as her bike in the book.) You can glimpse it in the window of the shop if you like (corner of Cary and S. Sheppard.)

It will go to one lucky winner whose name will be drawn on September 11 – my book’s birthday – when we’ll gather at bbgb and announce the winner. And don’t worry if you’re not the grand prize winner. Three runners up will get spoke light kits, a copy of the book, and other swag.  

You can go here to enter and get all the rules. Remember, you  have to be able to pick up the bike in person. We can’t ship it.

Richmond boasts lots of bike trails in parks and neighborhoods, not to mention the grand Capital Bike Trail   between Richmond and Williamsburg. And the early fall weather will make “pedal power” a lot more appealing than it is during our humid summers. We’ll all have something to look forward to in September.

So download the flyer Media Sweepstakes_Qtr and enter today. Share the news widely with kids all over the city. Good luck!

 

 

 

 

Juune is Bustin’ Out All O-O-ver…

I woke up this morning with that song in my head, which is horrible, but June is, in fact, looking exciting on my end. Here’s the news.  

BEA AND BOOK CON

I’ll be at Book Expo America and BookCon to introduce MERCI SUÁREZ CHANGES GEARS. Here are the highlights so we can cross paths:

Children’s Breakfast, Friday, June 1, 2018 8 am, Javitz Special Events Hall

I’ll share some of what went into crafting that novel at the fancy children’s breakfast with fellow panelists Jacqueline Woodson, Dave Eggers, Yuyi Morales, and Viola Davis. (Gulp.)

Latinx BookExpo Party, Friday June 1, 6 – 8 PM, at La Biblioteca (622 3rd Avenue, between 40 and 41 St)

If you want to decompress and surround yourself with friends and love, please join us for drinks, micro-readings, a raffle, and fun. It’s an event sponsored by Latinx in Publishing and Duende District books. Free, but you should register. ¡Vengan!

Wonder Women panel (Saturday, June 2, Javits, Room 1E16; 3:45 PM.) Woot! Where are my tights? With Kate DiCamillo, Shannon Hale, T.R. Simon, and Jessica Spotswood

The scoop on signings:

Friday, June 1, 2018

Signing galleys of Merci Suárez Changes Gears  

  • 10 am – 11 am, Immediately following the breakfast (ABA member lounge)
  • 1:30 pm – 2:30 pm, Candlewick booth # 2021

Saturday, June 2, 2018

  • 10:15 am – 11:15 am (Autograph Area tables 7 & 8) with Shannon Hale, Kate DiCamillo, T.R. Simon and Jessica Spotswood. This is where you can get paperbacks of Burn Baby Burn (new this year) and more important, where you can pre-order Merci Suárez Changes Gears and get a signed bookplate.
  • 12:30 pm  – 1:30 pm (Candlewick booth 2021) The first 50 people get a free copy of Yaqui Delgado Wants to Kick Your Ass. All my paperback titles will be on hand, too.
Social media:

There’s an app to download, fyi.

Please use @TheBookCon/#BookCon @BookExpoAmerica/#BookExpo/@Meg_Medina/MegMedinaBooks on instagram


On the horizon:

Meg’s next appearances:

Girls of Summer:  The book party of the year for book lovin’ girls!  Wednesday, June 20, 2018, Richmond Public Library. Special guest, Selina Alko!

 

American Library Association Conference, New Orleans, June 22 – 24, 2018. Beignets, coffee and Michelle Obama, here I come! So excited to be in the audience for the Newbery and the Pura Belpré ceremonies! I’ll post the schedule soon.

Shenandoah University Children’s Literature Conference:  Thursday, June 27, 2018. So many incredible authors coming that week! Check it.

Take that winter! Burn Baby Burn a 2016 LA Times Book Prize Finalist

image001A wonderful surprise to beat back my February blues, which have really been a challenge this year.

Burn Baby Burn was named a finalist for the LA Times Book Prize today.

It’s quite a list, including the award-sweeping MARCH by John Lewis, so I’m especially honored – and also not envious of the judges. The fun/harrowing thing is that you don’t know who actually wins until the day of the event. So stay tuned for April 21 at the kick off for the LA Times Book Festival this year.

Thank you, LA Times, for inclusion on this lovely and thought-provoking list. And thank you, Candlewick, for my brand NEW pair of disco ball earring to wear for the occasion. I’ll be traveling west with my editor, Kate Fletcher, to attend the ceremony. Fingers crossed ( and TUMS in my purse.)

BurnBabyBurn_cvrSktch-7 copy 2Press release here.

Young Adult Literature
Socorro Acioli/ Daniel Hahn (Translator), The Head of the Saint, Delacorte
Julie Berry, The Passion of Dolssa, Viking Books for Young Readers
Frances Hardinge, The Lie Tree, Harry N. Abrams
John Lewis. Andrew Aydin, Nate Powell, March: Book Three, Top Shelf Productions
Meg Medina, Burn, Baby, Burn, Candlewick

Burn Baby Burn voted YA book of the year by NAIBA

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Big news for me today: Burn Baby Burn has been chosen by the New Atlantic Independent Booksellers Association as their book of the year in the Young Adult category.

Screen Shot 2016-09-01 at 6.45.15 PMI’m in some good company here. But the fact that this honor comes from independent bookstores is what’s cool.  These are the people who truly know and love books and authors. And they’re the people who have refused to lie down in the face of Amazon and (before that) other large chains. How are they doing? Take a look.

I wish I could be in Baltimore for their conference in October to accept the award in person. But I’ll be traveling back from the Oregon School Library Association conference and won’t make it back in time.

So, all I can say is thank you so much NAIBA for choosing Burn Baby Burn. Party on in my absence and please know how much I appreciate every one of you for loving books and authors as you do.

 

ALA Orlando: A Bittersweet Affair

alaac16I head to ALA this week, but it’s with a mix of emotions.

Traditionally, the ALA June conference is a joyous time to celebrate the books that were awarded medals, touch base with our far-flung colleagues, and gather new advanced galleys for our to-be-read piles. I can’t go every year, so when I do get the opportunity, it feels like a truly special occasion.

But it’s hard to feel lighthearted this year. After the terrorist attack we saw unfold against the LGBTQ community – and the maddening debates over terrorism, hate, and gun safety that (once again) ensued, I’m feeling numb. I watched the names and faces scroll – overwhelmingly Latino in this case – and my mind went to the families and friends who have been left broken and wondering about how we’ve been dislodged from our shared humanity.

I’m grateful to see that the ALA conference organizers have several activities planned in support of the Orlando community, including a memorial service for the victims being held at the Orange County Convention Auditorium from 8 – 8:30 AM on Saturday, June 25. I’ll be there with my husband and oldest daughter, who will be traveling with me this time.

Maybe as we reach for joy this year, we can do so with a mind to continuing to build unity and understanding. I’ve put my signing and speaking schedule down below, but I would especially like to invite you to join me at the Pura Belpré celebration. Mango Abuela and Me will be awarded the honor medal for narrative and illustration. (The full list of winners is here.)  But mostly I think you should come because the medal is marking its 20th anniversary – an important milestone. You’ll have a chance to meet many past and current winners, as well as the visionary women who established the award. (Latinos in Kid Lit has been doing a wonderful retrospective on past winners, by the way. Check it out.)

The party is free if you are registered for the conference. If you’re attending ALA, I invite you to support the Pura Belpré and the various other awards and recognitions that seek to celebrate the stories of all children. (The schedule is here.) This is where we can remind ourselves that we are in this life together and that our stories are really one.

PuraBelpre_flyer

Meg’s ALA schedule

Saturday, June 25:

Panel:  REFORMA President’s Breakfast:  The Case for Bilingual and Dual Language books:  A discussion with Meg, Angela Dominguez, Rene Colato Lainez, and Margarita Engle. Hyatt Regency Orlando – Room Manatee Springs 9801 International Drive, 11 AM – 12:30 PM

Panel:  “We Need Diverse Books and More: Multiple Diversities: Capturing the Experience Intersectional Identities” [Convention Center – Room W101A] (Meg Medina, Ellen Oh, Lamar Giles, Cindy Pon, Shveta Thrakrar, Eugene Myers  1 – 2 PM

Signing our upcoming anthology: Random House Booth, with Ellen Oh, Kwame Alexander, Tim Federle, Grace Lin, Matt de la Peña. 3 – 4 PM

Sunday, June 26:

Signing with Angela Dominguez: Candlewick Book #1459, 10 AM – 11:30

(Party for Pura all afternoon 1 PM – 3PM!)

Peace and safe travels…

Meg

 

 

Who Are You to Say? Why I’m part of a censorship panel at Bank Street College

Censorship-Flyer-(final)

If you care about kids and the books they read, maybe you can make room in your schedule for a half-day conference on censorship this Saturday at Bank Street College in NYC.

banned-buttonI’m no stranger to dust ups about what’s inside my books, sadly – mostly in the form of soft censorship. Just shy of an out-and-out challenge, it means that barriers are thrown between the reader and the book. Barriers like being disinvited to schools. Or having the title of my book changed to dollar signs for the s’s in ass. Or requiring parental notes to read the novel. Or simply not carrying the novel in the library, despite its recognitions by the ALA and other reputable sources.

BurnBabyBurn_cvrSktch-7 copy 2And I’m guessing that someone will find plenty of reasons to oppose my latest historical fiction novel, Burn Baby Burn, too, for its mention of contraception, Planned Parenthood and maybe even foul language.

I’ll need my brain and my crocodile skin, so this conference actually comes at a good time for me.

What’s especially appealing to me about this particular conference is also this:  As the conversation about diverse representation deepens, new and compelling controversies have erupted. The only solution that makes sense? Think, learn, and talk.

Here’s the set up for the day: We’ll be given a brief look at the history of censorship in books for young readers by the eminent children’s book scholar, Leonard Marcus. The panels that follow will consider how authors come to these stories to begin with; the common reasons books get in trouble with censors; and finally, the more recent controversies, including those that have put usual allies in conflict with one another.

I hope you can join us. Here’s a little visual and a guest list so you know what to expect.

Books we’ll talk about with their authors and/or editors:

and tango enhanced-buzz-wide-22567-1391614085-7 the-miseducation-of-cameron-post Tyrell+cover+hi+res-1 512R2aJ0iLL._SX341_BO1,204,203,200_ 61eSz7BpJlL._SX258_BO1,204,203,200_BurnBabyBurn_cvrSktch-7 copy 2Yaqui with medal

Other uber librarians and publishing experts on hand:

Allie Jane Bruce, Children’s Librarian, Bank Street College of Education; Fatima Shaik, Children’s/Young Adult Books Committee, PEN American Center; Andy Laties, Manager, Bank Street Book Store;
Kiera Parrott, Reviews Director, School Library Journal; Cheryl Willis Hudson, Editorial Director, Just Us Books, Inc.; Elizabeth Levy, author; Joan Bertin, Director, National Coalition Against Censorship (NCAC); Hilary Van Dusen, editor Candlewick Press; David Gale, editor, Simon & Schuster; Shelly Diaz, YA reviewer, School Library Journal

 

Not anywhere near New York?

You can follow the conversation from afar on #CensorshipConversation, Saturday, April 16, 9 am – 1 pm.

How do I get in? Why a lousy beginning can still help you write a good novel

In between promotion travel for Burn Baby Burn, I’m turning my attention to writing my next projects with Candlewick. I have an anthology story due soon, and a middle grade manuscript due in December.

I have friends who have mastered the art of airplane and hotel room writing. Some even write for as little as six minutes before going off to jobs in offices every day. But writing on the run has always been a struggle for me. I need a lot of quiet to sink deeply enough inside my imagination to connect with my characters, especially at the beginning.

IMG_3147So, I was cleaning up my computer desktop – which is what I do when when I’m trying to avoid something unpleasant, like battling my writing insecurities. The process of beginning never seems to get easier, even after all this time. (The only thing worse is writing endings, but more on THAT another day.) I still spend weeks circling like a vulture above the story. I can see the characters vaguely. I can see their neighborhood, their school, the general shape of their lives, but I can’t quite zero in on where to start. I can be caught like this for a long while, writing and rewriting the first 30 pages as I flesh out the book’s world, looking under every rock for the heart of my main character.

I bring this up because I stumbled upon hard evidence of why I should just embrace this wandering and stop worrying. Right there on my desktop was a file that contained the draft of how I had originally planned to start Burn Baby Burn.  Back then, I decided I would open in the winter of 1977, on the day that news outlets were reporting about the suicide of Freddie Printze. Here it is as a pdf, if you’re interested. ORIGINAL BEGINNING OF BURN BABY BURN

51XeXLoY3VL._SY344_BO1,204,203,200_I remember how cold it was that year in New York – almost as extreme as the summer heat that would follow. But what I was really after was the emotional window of Freddie Printze’s death. Who didn’t watch Chico and the Man? I loved that Latin God and all the ways his show spoke to me, wrapping its comments about racism in humor. Here was this good looking Puerto Rican-playing-a-Mexican, in tight jeans and puppy dog eyes. I was in love. News of his suicide left me stunned – and his death somehow became entwined in my mind with the long unraveling of the city that year. Something in the loss of a cultural hero brought me to the story of New York City in 1977. It reminded me that every piece of innocence and hope we had was at risk that year.

With Kate

With Kate

So what made me change my mind and abandon that opening? I’d love to claim that it was my own fantastic sense of storytelling, but really it was my editor, Kate Fletcher. To her credit, she politely stepped over my original beginning for months until we were very late into our editorial process. Finally, she pointed out the obvious. So much was going on in the novel that maybe I needed to narrow the timeframe a bit to keep the focus. Spring to summer seemed about right.

Kate. This is her gift. She knows just when to offer a suggestion so that I can hear it.

Had she insisted on this change earlier, who knows what I would have said? Likely, I would have fought her because Freddie Printze’s death was my way inside my own memories, and those memories are what gave me the courage to sink into research and the unfamiliar hard work of writing historical fiction.

I was reminded yet again that beginnings almost always change substantially once you’re “finished” writing. They are not sacred – except for those fragile, early days when they are what give us permission to reach inside ourselves.

So, where am I on my next novel? At the beginning. Or, so I think.

Just for you: You might like this master class CD about writing beginnings with Richard Peck.

 

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